Blood Simple - 3/5

This movie is a decent modern crime thriller, with a surprisingly effective antagonist and some great suspenseful scenes. Unfortunately, some other scenes are drawn out so long they fall flat and there are one or two comebacks characters make that are so unbelievable that it undercuts the stakes of the film. Nevertheless, it’s a bold entry into the noir genre and definitely worth a watch for those who don’t mind subject matter that gets a bit gritty.

Closest comparison: It’s like No Country for Old Men by way of Fargo.

Setting: Noir
Plot: Crime
Tone: Thriller

Intolerable Cruelty - 3/5

This is a comedy about prenuptial agreements, a sardonic look at marriage as only the Coen brothers can create. Like the other weaker entries in their repertoire it lacks the conviction to make an actual point, undoing any potential statements the film could be making. Instead it employs comedic dissolution that undercuts any impact the plot could have had, turning it from a poignant satire into a mere farce. For all that it’s still very entertaining, well written and acted enough to form a baseline for other movies of the genre.

Closest comparison: It’s like Marriage Story by way of O, Brother Where Art Thou.

Setting: Drama
Plot: Intrigue
Tone: Dramedy

Miller's Crossing - 5/5

This is the kind of movie that you have to pay close attention to, because if you miss a line you very well may be lost for the rest of the run time. But because of the intricate nature of the backstabbing mafia plot the dialogue makes the audience pay just as close attention as the characters, constantly wondering what is doublespeak, and where each person’s loyalties truly lie. Most movies and shows try to accomplish this with invented drama but here it’s all mechanical, reliant on tangible necessities not fabricated strife. The Coen Brothers are in top form here, with dialogue so rich they had to tone it down in future movies to appeal to a wider audience.

Closest comparison: It’s like The Godfather that’s not trying to win an Oscar, with two mobs for the price of one.

Setting: Gangster
Plot: Thriller
Tone: Drama

Inside Llewyn Davis - 3/5

This look at a folk singer’s life in the ‘60s is sometimes funny but mostly just depressing. The humor comes primarily from irony, but the inescapable facts of each situation make it more often sad than funny. Still, the acting is spot on as a host of top-tier actors fill out their idiosyncratic characters in what amount to a series of extended cameos in true Coen Brothers fashion. Like A Serious Man the plot seems to meander, but here it supports the reality of the protagonist’s life. The lack of a point to the film is counterbalanced by the soulful, emotional music throughout, which makes it worth a watch.

Closest comparison: Crazy Heart by way of A Serious Man

Setting: Indie
Plot: Biopic
Tone: Drama

A Serious Man - 1/5

This is what happens when you take interesting, quirky characters and do nothing with them. It’s full of cringe comedy and nothing else, which just emphasizes the hopelessness of the characters’ lives. It’s too vicious to be funny, too dry to be interesting, and too boring to be memorable. Of course it’s competently acted and filmed, but if nothing happens what good is it?

Closest comparison: It’s the community drama of Edward Scissorhands and the family drama of My Big, Fat, Greek Wedding but with none of the life, color, alacrity, or interest.

Setting: Drama
Plot: Drama
Tone: Drama

The Big Lebowski - 3/5

Even though this quickly became a cult classic, it’s too weird and rambling to be truly great. Of course, there are some truly great moments and infinitely quotable dialogue, but then there are all the parts people forget about. It’s certainly worth a watch if you haven’t seen it, just for the cultural touchpoint, but it doesn’t even really have a point beyond ‘look at all the crazy stuff that’s happening’. This is what happens when ‘quirky’ goes too far and doesn’t have substance to back it up.

Closest Comparison: It’s like Fear and Loathing in Las Vegas by way of Fargo.

Setting: Modern
Plot: Thriller
Tone: Comedy

O Brother, Where Art Thou? - 5/5

Arguably the Coen Brothers’ best film, this movie exhibits all the characteristics of the signature Coen Brothers style: humor by repetition, beautiful cinematography, a host of famous and quirk actors, and an impeccable soundtrack. Without the direct reference to the Odyssey it would probably have been seen as having too many seeming non-sequiturs, but as it is it’s perfectly matched to the ‘source’ material. It’s a hilarious movie and constantly plays coy with the idea that there may be supernatural elements in play. Immensely quotable, immediately classic, and unforgettably quirky, this movie is certainly a timeless masterpiece.

Closest Comparison: It’s what would happen if There Will Be Blood were funny and based on the Odyssey.

Setting: The Dustbowl South
Plot: Adventure
Tone: Comedy

The Ballad of Buster Scruggs (Netflix) - 5/5

It’s bizarre and amazing, funny and tragic, beautiful and nerve-racking all at the same time. Or rather, in succession, but and it knows what it is every step of the way even if the audience is still trying to figure it out. The Coen brothers lead their audience expertly through various stories, keeping the emotions just where they want them every step of the way. It’s very violent in parts, sometimes played for comedy, sometimes for tragedy. If you like Coen brothers movies it’s a must-see, if you like Westerns don’t let the beginning throw you off. This movie touches on all the different aspects that are central to other Westerns, somehow without giving them short shrift, and there’s nothing else like it.