This is a somber, slow western that’s more wistful than it is profound. It’s strange and episodic, winding its narrative lazily along until it peters out unceremoniously. For all of its problems, however, it’s curiously fascinating and hard to look away from the bizarre journey.
Closest comparison: It’s like The Ballad of Buster Scruggs by way of Meek’s Cutoff.
Setting: Western
Plot: Chase
Tone: Stoner
This is the kind of movie that you have to pay close attention to, because if you miss a line you very well may be lost for the rest of the run time. But because of the intricate nature of the backstabbing mafia plot the dialogue makes the audience pay just as close attention as the characters, constantly wondering what is doublespeak, and where each person’s loyalties truly lie. Most movies and shows try to accomplish this with invented drama but here it’s all mechanical, reliant on tangible necessities not fabricated strife. The Coen Brothers are in top form here, with dialogue so rich they had to tone it down in future movies to appeal to a wider audience.
Closest comparison: It’s like The Godfather that’s not trying to win an Oscar, with two mobs for the price of one.
Setting: Gangster
Plot: Thriller
Tone: Drama
