Glass Onion (2022) - 1/5

This movie is starts off fairly strong, but finishes abysmally. The cinematography, costume design, sets, acting, etc. are all top notch but their impact all hinges on the solution to the murder mystery, and the solution here is simultaneously stupid, ignorant, and insulting. The film is also continually horny, and seems to exemplify the thing it’s mocking which is never a good sign. There’s an overt political subtext that overtakes the narrative at a certain point, and in the end many of the carefully laid clues don’t make sense.

Closest comparison: It’s like an attempt at a mystery like Knives Out, as clumsily executed as The King’s Man, with a veneer of Fool’s Gold.

Setting: Mystery
Plot: Mystery
Tone: Mystery

The Girl with the Dragon Tattoo (2011) - 1/5

This movie is a meticulously, even beautifully handcrafted telling of a story so grim, gritty, sordid, and vile that it doesn’t merit being told. It’s remarkable how good the film-making is, being one of the only movies that makes long-form research genuinely compelling, interesting, and even gripping. But there’s no redeeming value to the story’s conclusion, no satisfactory result that makes the slough of watching the story unfold worth having been watched. Daniel Craig’s accent goes in and out (mostly out), but it barely rates mentioning against the mountain of other flaws in the film.

Content warning: female nudity, graphic sex, rape

Closest comparison: It’s like Dolores Claiborne (1995) by way of Se7en.

Setting: Police Procedural
Plot: Detective
Tone: Psychological Horror

Knives Out (2019) - 5/5

This is one of the most clever whodunnit films I’ve seen, and probably the most intricate. Nevertheless, Rian Johnson makes it straightforward and easy to follow, as all good murder mysteries should. The story somehow manages to escape the tired old formula while meticulously maintaining its trappings, keeping the dialogue snappy and the sordid family affairs more fun than sordid. There is a fair amount of partisan politics in this movie, but it’s pretty evenly split and is relegated to character quirks, refusing to make a definite statement. It’s old and new, clever and simple; it’s Rian Johnson at his best.

Closest comparison: It’s like an Agatha Christie story for a new generation.

Setting: Murder Mystery
Plot: Murder Mystery
Tone: Mystery Comedy

Logan Lucky - 4/5

This movie is fantastic. Directed by Steven Soderbergh (dir. Ocean's 11) it's like what would happen if hillbillies pulled a heist. I was a bit worried it was going to be sardonic toward West Virginians but it's very much not, which I loved. It's actually really close to a 5/5 for me, but there is a small issue about who gets the money at the end and how it's divided that it would have definitely been a better movie if they had cleared up that point. But it's great, and if you like Ocean's 11 and West Virginia you should definitely go see it.