Spider-Man: Across the Spider-Verse - 2/5

This movie is directed by a completely different team than the first film and it shows. There’s a noticeable ‘woke’ filter over everything, but even putting that aside the film has some huge flaws. It’s a 1.5 hour movie stretched out into 2.5 hours by sloppy, repetitive dialogue and a bloated script. The villain is pretty good in theory but overstays his welcome by the end, let alone anticipation for the sequel. The art styles in the first film were varied but each one was tight and well-crafted; here, most of the art styles are sloppy to the point of being unappealing and hard to read. The editing here also loses all finesse from the first film, layering audio and visual information on top of itself in a confusing, distracting mess. Some of the fights had a few good moments, though.

Closest comparison: It’s like Spider-Man: Into the Spider-Verse gone the way of Legend of Korra.

Setting: Super hero
Plot: Sci-fi
Tone: Comedy

Bullet Train (2022) - 5/5

This movie is another out-of-the-park non-stop action extravaganza from David Leitch. There are as many surprises and turnarounds as there are plot elements, and everything is used and reintroduced in surprising and inventive ways. The violence is rampant and often funny, but always well choreographed and flawlessly filmed.

Content warning: bloody action

Closest comparison: It’s like Snatch by way of Deadpool 2.

Setting: Thriller
Plot: Action
Tone: Action

Godzilla vs. Kong (2021) - 3/5

After a long and unnecessary preamble this movie eventually becomes exactly what its title promised. The fights are bashy, fun, and not nearly as dumb as the talky bits with the humans. The visuals aren’t as gorgeous as they were in the previous film, but here the fight choreography feels more grounded and brawly and less wide-shot cinematic. Fortunately the human plots are only cardboard pablum, not aggressively offensively stupid like King of Monsters and Skull Island, so it’s an improvement. The first 45 minutes are so completely disposable I recommend coming to the theater late to save yourself the boredom.

Closest comparison: It’s like Godzilla: King of Monsters and Kong: Skull Island got together to play Pacific Rim 2.

Setting: Exotic Adventure
Plot: Homeward Bound
Tone: Kaiju

Child's Play (2019) - 3/5

Don’t get me wrong, it’s a good movie, it’s just also very disposable. Changing black magic to technology is a great update to the classic setup, and it plays out in exactly the combination of scenarios you’d expect. Aubrey Plaza and Mark Hamill do a great job drawing in the audience and making the world feel lived-in and engaging, although the movie follows in its predecessor’s footsteps when it comes to contriving scenarios where a child’s doll could murder people. Still, it’s quite well made and if you’re a fan of ‘80s pop horror this is certainly in the same vein.

Content warning: gore

Closest comparison: An update to the classic ‘80s pop horror movie.

Setting: Sci-Fi Horror
Plot: Slasher
Tone: Pop Horror