Natalia Dyer

Stranger Things, Season 3 (Netflix) - 3/5

This season of Stranger Things is a strange case of inconsistency. The direction, editing, and acting are all phenomenal, and the plot is better constructed and more memorable than season 2. The first six episodes are exciting and binge-worthy, but after that it starts going downhill fast. The show constantly portrays bullying and bickering as an integral part of natural, healthy relationships which is offensively tone-deaf, and it only gets worse in the last two episodes. Most of the intriguing build-up gets squashed by shoe-horned character moments and one blindingly out-of-place experiment in bathos whiplash (using comedy to cut dramatic tension) that grinds on painfully for the duration of an entire song. This season had the makings of something great, but the last two episodes drop it from an almost 5/5 to a mid-tier 3/5.

Closest comparison: It’s like a conglomeration of ‘80s pop horror movies with modern production values.

Setting: ‘80s Horror
Plot: Mystery Thriller
Tone: Pop Horror

Velvet Buzzsaw (Netflix) - 3/5

This movie’s production values are very high, so if you like the subject matter more than I did you’ll probably love the film. It has great acting all around, with a funny script that delivers biting satire of the art industry. That coupled with the supernatural horror elements makes this an absolutely unique experience. Lots of weirdness coupled with intermittent gore and some sex will keep this from rising above cult classic status, like much of the John Carpenter backlog. Still, it’s much better than the majority of its peers and avoids the slowness that plagues many Netflix endeavors.

Closest Comparison: It’s as if David Lynch directed a John Carpenter movie.

Setting: Drama
Plot: Horror
Tone: Drama, then Horror