John Geilgud

Chariots of Fire - 4/5

This film contains some of my favorite lines of all time, but it has a few issues. The double flashback in the beginning doesn’t do the movie any favors, but once it settles into its slow, comfortable, British rhythm it quickly begins to show its qualities. The slow pacing allows for the depth of introspection required by the philosophical underpinnings of the plot, and the dialogue is so rich that it’s easy to miss meaningful character moments. This makes it harder for new viewers to fully understand, but it also makes repeat viewings more rewarding for fans. And the well-stated, beautifully-demonstrated life philosophy on display makes this one of my perennial favorites, despite the few flaws it has.

Closest comparison: It’s like the philosophical underpinnings of Gladiator in the vestiments of Jeeves and Wooster, wrapped together in a sports movie.

Setting: University Drama
Plot: Sports Inspirational
Tone: Philosophical Drama

Secret Agent (1936) -3/5

Better than The 39 Steps, this movie at least has an interesting turn in the middle. Instead of plot contrivances it actually takes a meta-commentary on films with plot contrivances and bakes it into the plot. Peter Lorre is marvelous here, as always, and the cast has chemistry and is well-suited to their individual roles. Unfortunately the ending leaves quite a bit to be desired, opting for more of a ‘that’s all, folks’ wrap-up than a more satisfying ‘Hitchcockian’ twist. Still, it’s good film-making overall and a fun older movie.

Closest comparison: It’s a more interesting 39 Steps

Setting: WWI
Plot: Spy
Tone: Spy