This movie is a run-of-the-mill romantic comedy, neither asking nor offering surprise. The main trio of actors is outstanding and worth the price of admission alone, and makes long strides to compensate for the lack of anything else in this film.
Closest comparison: It’s like The Parent Trap by way of Desk Set.
Setting: RomCom
Plot: RomCom
Tone: RomCom
This movie is a typical Hitchcockian thriller mixed with an era romantic comedy. Unfortunately, the romantic parts of the plot are fundamentally at odds with the thriller parts, and the tone ends up trying to be endearing where the plot necessitates tension. The central ‘cellar key’ scene is fantastic and if the entire film was like that it would easily be at least a 4/5 film, but it ultimately can’t overcome its own contradictions.
Closest comparison: It’s like Roman Holiday (1953) by way of Secret Agent (1936).
Setting: Espionage
Plot: Thriller
Tone: RomCom
This is one of the most famous movies from one of the most famous directors of all time. It holds up well over time despite its very dated aesthetic because of the irresistibly engaging performances from the main cast. It amounts to a surprisingly leisurely ride through the espionage and mystery, and the famous Mount Rushmore chase is solid, albeit abrupt. The dialogue is gorgeous and refreshing, especially these days when writing in films is often so sloppy. The plot is interesting enough to keep the audience’s attention without attempting to pose a big enough distraction to detract from the character moments which really comprise the heart of the film.
Closest comparison: It’s the Alfred Hitchcock movie that isn’t Psycho.
Setting: Spy Thriller
Plot: Mystery
Tone: Drama/Comedy
